Select manuscript from this collection:   Lyon, BM, 788, f. 87-88 + Paris, BNF, Baluze 270, f. 107-108.132-158     15/15

Book of Hours (Use of Rome) – Reconstruction

Parchment · 26 leaves · 1425 – 1450 CE · France · 186 x 134 (90 x 60) mm
Multiple, Dispersed Virtual Reconstruction,
Image Rights:
How to quote:
Scholarly descriptions:
  • Simmons School of Library and Information Science LIS 464 (Fall 2018) observations
    Show description
F-waaj is a reconstruction of: Participating Libraries:
Multiple, Dispersed Virtual Reconstruction · Greensboro, NC, University of North Carolina at Greensboro · Albany, NY, State Library of New York · Minneapolis, MN, University of Minnesota · Lima, OH, Lima Public Library · Amherst, MA, University of Massachusetts, Amherst · New Haven, CT, Beinecke Rare Book and Manuscript Library · Cleveland, OH, Cleveland Institute of Art · Denison, Ohio, Denison University · Buffalo, NY, Buffalo and Erie County Public Library · Cleveland, OH, Cleveland Public Library · Kent, OH, Kent State University · Kenyon, OH, Kenyon College · Columbus, OH, The Ohio State University · Boulder, CO, University of Colorado, Boulder · Newark, NJ, Newark Public Library · Hartford, CT, Wadsworth Atheneum Museum of Art · Toledo, OH, Toledo Museum of Art · Northampton, MA, Smith College · New York City, NY, Pierpont Morgan Library · Bloomington, IN, Lilly Library, University of Indiana, Bloomington · Stony Brook, NY, State University of New York, Stony Brook · Columbia, SC, University of South Carolina · Toronto, ON, Massey College in the University of Toronto · Cleveland, OH, Case Western Reserve University · Athens, OH, Ohio University · Rochester, NY, Rochester Institute of Technology · Cincinnati, OH, The Public Library of Cincinnati and Hamilton County · Saskatoon, SK, University of Saskatchewan · Toronto, ON, Ontario College of Art and Design
  • not available
Social Tags
Text Language:
Script Type:
Ege, Otto F. (Fragmentator)

Book of Hours broken by Otto F. Ege in the mid-twentieth century, with leaves used as no. 29 in his "Fifty Original Leaves of Medieval Manuscripts" portfolios.