Book of Hours

Office of the Dead, Vespers, beginning at psalm 127:8 and running through psalm 145:5

F-fmot

Toronto, ON, The Robertson Davies Library at Massey College, Gurney FF 0001

Remarks by the Editor

Written in NW France (likely for the Use of Arras or Paris) in the early 15th century. Possibly identical with the Book of Hours sold at Sotheby's London on 20 December 1948, lot 415. "The Property of a Gentleman." Dismembered by Otto or Louise Ege in the late 1940s, leaves used as no. 45 in Ege's "Fifty Original Leaves from Medieval Manuscripts" portfolios, of which 40 were produced and 31 are known

General Information

Title Book of hours
Material Parchment
Place of Origin France (Northwest)

Original Condition

Page Height at least 185 mm
Page Width at least 130 mm
Height of Written Area 90 mm
Width of Written Area 64 mm
Number of Columns 1
Number of Lines 12

Current Condition

Dimensions 185 x 130 (90 x 64)

Book Decoration and Musical Notation

Description

Brief, feathery extensions in ink and colors extending from initials on every page into the margin. One extant miniature with gilt diapered background and full rinceaux border with marginal grotesques.

History

Provenance

Made in Northwest France, possibly for the Use of Arras (the first three responsories for the Office of the Dead are often found in Books of Hours from Arras).

Persons and Institutions Written in NW France (likely for the Use of Arras or Paris) in the early 15th century. Possibly identical with the Book of Hours sold at Sotheby's London on 20 December 1948, lot 415. "The Property of a Gentleman." Dismembered by Otto or Louise Ege in the late 1940s, leaves used as no. 45 in Ege's "Fifty Original Leaves from Medieval Manuscripts" portfolios, of which 40 were produced and 31 are known.
Remarks

Note by Otto Ege:

This manuscript leaf came from a Book of Hours, sold probably at one of the famous shrines to which wealthy laymen made pilgrimages. To meet the demand for these books, the monastic as well as the secular scribes produced them in great numbers. The freely drawn, indefinite buds here entirely supplant the ivy, fruits, and realistic wayside flowers which characterized the borders of manuscripts of the preceding half century. The initial letters of burnished gold on a background of old rose and blue with delicate white line decorations maintain the tradition of the earlier period. The vellum is of silk-like quality that often distinguished the manuscripts of France and Italy.