Written in a Gothic bookhand, possibly by several different scribes.

Dismembered by Cleveland bookdealer Otto F. Ege in the 1940s. Leaves used as no. 46 in his "Fifty Original Leaves of Medieval Manuscripts" portfolios, thirty of which have been located.

Outer borders on each page (outlined in red at left and right) of scrolling acanthus in blue and gold on a rinceaux background, with leaves, flowers, and fruit in colors. Several 3/4 borders in a similar style, at major section breaks. One-line initials throughout in gold leaf filled with dark salmon on a blue background, or vice versa. Two-line initials throughout in blue or dark-salmon on gold. Linefillers in blue or red with white filigree highlights and gold-ball centerpieces, with particularly small linefillers as flowers in a similar color scheme.

Written in NW France around the year 1470, for the Use of Rouen. Use is determinable due to the survival of the antiphon and chapter reading for None of the Hours of the Virgin, seven recovered Matins responsories for the Office of the Dead, and the Lauds short lesson "In omnibus requiem," which Dominique Stutzmann has identified as Rouen Use (private correspondance).

Dismembered by Cleveland bookdealer Otto F. Ege in the 1940s. Leaves used as no. 46 in his "Fifty Original Leaves of Medieval Manuscripts" portfolios, thirty of which have been located.