Document Metadata
Antiphonale – Fragment
Parchment · 1 partial leaf · 1476 – 1500 CE · Bohemia? · 210 x 162 mmF-zhgc
Cluj-Napoca, Biblioteca Academiei Române, C. 52182-83
Language
Latin
Latin
Reconstruction Summary
(Márton Szabolcs & Adrian Papahagi (CODEX Centre, UBB Cluj))
(Márton Szabolcs & Adrian Papahagi (CODEX Centre, UBB Cluj))
Scholarly description(s)
-
Márton Szabolcs & Andrian Papahagi (CODEX Centre, UBB Cluj), 2026
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Online Since
03/26/2026
03/26/2026
Antiphonale
Parchment · 1 partial leaf · 1476 – 1500 CE · Bohemia? · 210 x 162 mmF-zhgc
Cluj-Napoca, Biblioteca Academiei Române, C. 52182-83
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Online Since
03/26/2026
Antiphonale (Fragment),
Cluj-Napoca, Biblioteca Academiei Române, C. 52182-83, wrapper
(https://fragmentarium.ms/overview/F-zhgc)
IIIF Manifest URL
https://fragmentarium.ms/metadata/iiif/F-zhgc/manifest.json
Permanent link
https://fragmentarium.ms/overview/F-zhgc
Online Since
03/26/2026
Antiphonale – Fragment
Parchment · 1 partial leaf · 1476 – 1500 CE · Bohemia? · 210 x 162 mmF-zhgc
Cluj-Napoca, Biblioteca Academiei Române, C. 52182-83
Image Rights
For commercial use of images: see
Terms of Use
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Contact E-Mail
adrian.papahagi@ubbcluj.ro
adrian.papahagi@ubbcluj.ro
Online Since
03/26/2026
03/26/2026
Curated Tags: Location: Cluj-Napoca
Topic: antiphonary
Century
- 15th century
Text Language
- Latin
Script Type
- Northern Textualis
Liturgica
- Antiphonar
Decoration
- Initial
- Pen
Musical Notation
- Staff Notation (generic)
Bologna
- Role: Origin
- Authority Source: GND
Czechia
- Role: Not Specified
- Authority Source: Library of Congress
Czechia
- Role: Origin
- Authority Source: Library of Congress
Antiphonale S. Michael/ Angeli Custodes
F-zhgc
Cluj-Napoca, Biblioteca Academiei Române, C. 52182-83
Label Normal Sequence Description This fragment represents a very clear and characteristic example of Prague notation from the late 15th century. The pes neume groups appear in a displaced, right-shifted form. The pes, resembling that found in Tyniec and associated with Polish notation, shows some similarity; however, structurally it differs entirely from the Prague form. It uses a staff of four red lines. The C clef is positioned on the third line, and a custos is also present. Canvases
