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      <titleStmt>
        <title>Missal</title>
      </titleStmt>
      <editionStmt>
        <edition>Electronic version according to TEI P5.1</edition>
      </editionStmt>
      <publicationStmt>
        <publisher>Fragmentarium - Digital Research Laboratory for Medieval Manuscript Fragments</publisher>
        <availability status="restricted">
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            <p>cc-by</p>
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      <sourceDesc>
        <msDesc xml:id="F-mdfq-63062" xml:lang="eng">
          <msIdentifier>
            <settlement>Odense</settlement>
            <repository>Syddansk Universitetsbibliotek</repository>
            <idno>RARA Musik L 42 128</idno>
          </msIdentifier>
          <head>
            <title>Missal</title>
            <origDate>1401-1500</origDate>
            <origPlace>Denmark or Germany?</origPlace>
          </head>
          <msContents>
            <msItem>
              <locus from="84996">Back cover v</locus>
              <textLang>Latin</textLang>
              <title>Chants for the Sunday before Ash Wednesday.</title>
              <note type="persons"/>
              <note type="description"/>
            </msItem>
          </msContents>
          <physDesc>
            <objectDesc form="Fragment">
              <supportDesc>
                <support>
                  <material>Parchment</material>
                </support>
                <extent>1 partial leaf<dimensions type="leaf_orig"/><dimensions type="written_orig"/><measure type="pageDimensions">154 x 404 mm</measure></extent>
                <condition>
                  <p>The leaf was probably cut to the size of the host volume at the right hand edge and then folded around the boards, resulting in the loss of about the last third of each line.</p>
                </condition>
              </supportDesc>
              <layoutDesc/>
            </objectDesc>
            <handDesc>
              <handNote>
                <p>Bold, angular textualis.</p>
              </handNote>
            </handDesc>
            <decoDesc>
              <decoNote>A blue initial with red pen flourishes.<persName/></decoNote>
            </decoDesc>
            <musicNotation>Square notation on red staves.</musicNotation>
            <additions>
              <gloss>"Tenor" added in the 17th century to refer to the content of the part book host volume.</gloss>
            </additions>
          </physDesc>
          <history>
            <summary/>
            <origin>Denmark or Germany?</origin>
            <provenance>The pre-Reformation ownership of the L 42 fragments is uncertain. Given that the gradual fragment used for vol. 127 was printed for a Danish diocese, one might surmise a Danish monastic or ecclesiastical provenance for the other medieval parchment fragments of the set, too. The codices was likely dismantled and reused by a provincial stationer-bookseller in the late 16th or early 17th century.</provenance>
          </history>
          <additional>
            <adminInfo>
              <recordHist>
                <source>
                  <bibl type="not-printed">Description by: Charlotte Epple, Fragmentarium, 2026</bibl>
                </source>
              </recordHist>
            </adminInfo>
            <listBibl>
              <bibl>Holck, Jakob Povl. Den Gamle Verdens Magi: Bogsamlingen Fra Herlufsholm På Syddansk Universitetsbibliotek. Syddansk Universitetsbibliotek, 2015.  </bibl>
              <bibl>Holck, Jakob Povl. ‘Herlufsholm-Samlingen På Syddansk Universitetsbibliotek Og Forskningspotentialet–Om Forskellige Fund Af Fragmenter’. Studier i Nordisk, nos 2016–2018 (2022): 5–40.</bibl>
              <bibl>Kongsted, Ole. ...‘...Derforuden i et Bundt Endeel Gl. Musicalia, Mutilerede, u-Nyttige Og Af Ingen Importance’. Delaspekter Vedrørende Musikmanuskripterne i Herlufsholm-Samlingen i Syddansk Universitetsbibliotek. I Sofie Lene Bak (Red.)“Kildekunst”–Historiske Og Kulturhistoriske Studier. Festskrift Til John T. Lauridsen. Bd 1 (2016): 89–115.</bibl>
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