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      <titleStmt>
        <title>Book of Hours</title>
      </titleStmt>
      <editionStmt>
        <edition>Electronic version according to TEI P5.1</edition>
      </editionStmt>
      <publicationStmt>
        <publisher>Fragmentarium - Digital Research Laboratory for Medieval Manuscript Fragments</publisher>
        <availability status="restricted">
          <licence>
            <p>public_domain</p>
          </licence>
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        <msDesc xml:id="F-h6ji-63048" xml:lang="eng">
          <msIdentifier>
            <settlement>St. Augustine, FL</settlement>
            <repository>Flagler College</repository>
            <idno>MS_095_2026_Ara</idno>
          </msIdentifier>
          <head>
            <title>Book of Hours</title>
            <origDate>1401-1475</origDate>
            <origPlace>England</origPlace>
          </head>
          <msContents>
            <msItem>
              <textLang>Latin</textLang>
              <title/>
              <note type="persons"/>
              <note type="description">The working hypothesis is that this is an early to mid-15th century leaf from a Book of Hours that is a variation of St. Bonaventure’s “Cursus de passione domini” from his Officium sanctae crucis as the only deviations are the Antiphon for the Magnificat and the prayer that starts “Propter accerbi.” The Antiphon survived the standardization of 1570 at the Council of Trent and remains the Antiphon for Vespers on Good Friday as printed in the Liber Usualis and contemporary missals.&#13;
Parts of this leaf are also found in c.1496 Neustift/Novacella, Augustinian Canons' Monastery, Cod. 353. Located on 72r, in the section that starts on 70v (“Cursus de passione domini serta feria dicendus”) is the hymn “Qui pressura mortis dura solvisti nexus” including stanzas 5 and 6 as found on our leaf. Jumping forward to 89r is found the responsory/verse as found on our leaf, but a different antiphon, and followed not by an abbreviation for the “Magnificat” but the rubric, Oratio. Turning to 89v is found the later variant of “Propter accerbi” identified by Mr. Monti of the Corrigan Memorial Library at St. Joseph’s Seminary and College as a prayer that is attributed to Pope Innocent IV. It is the sixth prayer in a series of seven devoted to the Seven Sorrows of the Blessed Virgin Mary which are first known to be written sometime between 1350 and 1400. He said that our version pre-dates a re-writing of the prayer in the mid-15th century as written in Cod. 353.&#13;
Lead by the Cistercians and Servites, increased recognition and devotion to the suffering of Blessed Mother during Her Son’s life gained momentum culminated in Pope Sixtus IV (1471-1484) designating Passion Friday as a day of devotion to the Sorrows of Blessed Mother.</note>
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              <supportDesc>
                <support>
                  <material>Parchment</material>
                </support>
                <extent>1 leaf<dimensions type="leaf_orig"/><dimensions type="written_orig"><width min="55" max="60">55 60</width><height min="88" max="90">88 90</height></dimensions><measure type="pageDimensions">177 x 120 mm</measure></extent>
                <condition>
                  <p>Fragment: The size of the leaf is 177 x 120 mm. The text is black, fading to brown in places with red rubrics. Both sides show red guidelines, though the red pigment is fading on the verso. There are two notched indentations on one side of the leaf, showing where stitching was located. This edge also shows evidence of having been cut away from the bifolium. Damage includes rippling to the parchment and some darkening along the edges. There are ten red spots along the foredge, and a large spot along the bottom edge showing that the edges of this book were once painted red.&#13;
Recto: There are two examples of capital initials. The capital “S” in gilt on a blue pigment background with fine white details. The capital initial “D” in gilt is on a faded red background. Fine white details are visible within the space of the “D”. There are red rubrics on lines 8, 9, 10, and 13. The rubric letters are R, V, A, and PS, respectively. There is a fleur-de-lis shaped line filler on the third line, in black with a red center. There is a pencil notation “180” above and to the right of the textblock along with an "S" with a line through the tail in the very upper right-hand corner. Damage specific to this side is a teardrop stain just right of center near the top edge.&#13;
Verso: The capital initial “P” in gilt is against a blue pigment square, with the circle of the P being a faded red that now looks pink with a gray design. The red guidelines are most vibrant on the left side of the text but are otherwise faded. At the bottom of the page there is writing in pencil with “c.7101" in the bottom left corner while along the bottom edge over into the right corner is, “French 1350 $ 450”.</p>
                </condition>
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                <layout writtenLines="14 14" columns="1">Ruled</layout>
                <layout>
                  <dimensions type="line">
                    <height min="5" max="5">5 5</height>
                  </dimensions>
                </layout>
              </layoutDesc>
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            <decoDesc>
              <decoNote>The letter shapes of the A are a match for Oesar's Variant IV used in England post-1350 and used sparingly in France and the Low Countries in the 15th century. The uncial D's are specific to England and France in the 14th and 15th centuries. Two L's have spurs which were first seen in France post-1350 and by the 15th century are found on all non-elision straight letters, but that is not the case for this leaf. The G does look like the English GR of the post-1350 period, and the G's are floating above the line guides and have smaller lower loops. The letter shape of both T, with a tall staff above the horizontal line, and the tall V, popular in 15th century England, are present.&#13;
The capital initials on both sides of the leaf with the combination of black, red, blue, white, and gilt is a closer match to the style of initials in France however, and there is a line filler on the recto that looks like a black line drawn fleur-de lis with red centers laying on its side. It is possible this leaf was produced in France with an English scribe writing the letters or a French scribe who created the initials while working in England.<persName/></decoNote>
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            <musicNotation/>
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          <history>
            <summary/>
            <origin/>
            <provenance/>
          </history>
          <additional>
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                <source>
                  <bibl type="not-printed">Description by: Owens, Katherine, Emily Backert, Holly Zufelt, Local Created Metadata, Flagler College, Proctor Library, 2025</bibl>
                </source>
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