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        <title>Folia with chants for Epiphany, Nativity, and St. Stephen</title>
      </titleStmt>
      <editionStmt>
        <edition>Electronic version according to TEI P5.1</edition>
      </editionStmt>
      <publicationStmt>
        <publisher>Fragmentarium - Digital Research Laboratory for Medieval Manuscript Fragments</publisher>
        <availability status="restricted">
          <licence>
            <p>cc-by-nc-sa</p>
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      <sourceDesc>
        <msDesc xml:id="F-gmyn-62550" xml:lang="eng">
          <msIdentifier>
            <settlement>Evanston, IL</settlement>
            <repository>Northwestern University, Music Library</repository>
            <idno>MS 1600 (NW-S2-4)</idno>
          </msIdentifier>
          <head>
            <title>Folia with chants for Epiphany, Nativity, and St. Stephen</title>
            <origDate>11th–12th century</origDate>
            <origPlace>likely Western Europe</origPlace>
          </head>
          <physDesc>
            <objectDesc form="Fragment">
              <supportDesc>
                <support>
                  <material>Parchment</material>
                </support>
                <extent>
                  <dimensions type="leaf_orig"/>
                  <dimensions type="written_orig"/>
                </extent>
              </supportDesc>
              <layoutDesc/>
            </objectDesc>
            <handDesc>
              <handNote>
                <p>Main text hand: anonymous scribe, writing throughout in Protogothic (Praegothica) script. A possible second hand, also in Praegothica, may have supplied text beneath the neumes in certain sections.</p>
              </handNote>
            </handDesc>
            <decoDesc>
              <decoNote>Decoration is modest. Initials appear as litterae notabiliores in black ink highlighted with a red stroke; fol. 2v contains a larger, simple red initial. Rubrics are sparse, often abbreviated, and provide minimal liturgical or biblical references (e.g., “Secundum Matheum”). No penwork or ornament beyond functional marking.<persName/></decoNote>
            </decoDesc>
            <musicNotation>Adiastematic neumes, written above the text without staff lines. Two phases are visible: A more deliberate layer of neumes, including compound signs, carefully pre-planned and aligned with the text. A lighter, perhaps later layer of puncta and virgae, possibly added to clarify performance for syllabic chant but less systematically placed.</musicNotation>
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            <summary/>
            <origin/>
            <provenance/>
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                <source>
                  <bibl type="not-printed">Description by: Paul Feller-Simmons, DACT, 2025</bibl>
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